Tony Asher, ComposerLyricist - Steve Douglas, Saxophone, AssociatedPerformer - Joe Gastwirt, Mastering Engineer, StudioPersonnel - MARK LINETT, Mixer, Mix Engineer, StudioPersonnel - Larry Knechtel, Organ, AssociatedPerformer - Ray Pohlman, Mandolin, AssociatedPerformer - Brian Wilson, Producer, Vocalist, AssociatedPerformer, ComposerLyricist - Mike Love, Vocalist, AssociatedPerformer, ComposerLyricist - The Beach Boys, MainArtist - Plas Johnson, Saxophone, AssociatedPerformer - Jay Migliori, Saxophone, AssociatedPerformer - Hal Blaine, Drums, AssociatedPerformer - Frank Capp, Bells, Timpani, AssociatedPerformer - Lyle Ritz, Double Bass, AssociatedPerformer - Carol Kaye, Bass Guitar, AssociatedPerformer - Barney Kessel, Mandolin, AssociatedPerformer - Al De Lory, Piano, AssociatedPerformer - Frank Marocco, Accordion, AssociatedPerformer - Bill Pitman, Guitar, AssociatedPerformer - Carl L. This album is buried 70s LA rock treasure. Many of you may be familiar with all this, but it was news to me. All Rights Reserved ℗ 1978 Grateful Dead Productions Don Henley, Glenn Frey, Randy Meisner (The Eagles), Gerry Beckley (America), and one of the engineers - Bill Szymczyk (Hotel California). Phil Lesh, Bass Guitar - Grateful Dead, MainArtist - Mickey Hart, Drums, Percussion - Joe Gastwirt, Additional Production, Remastering Engineer - Bob Weir, Guitar, Vocals, Writer - JOHN BARLOW, Writer - Jerry Garcia, Guitar, Vocals - Bill Kreutzmann, Drums, Percussion - Ted Jensen, MasteringEngineer - Jimmy Edwards, AssociateProducer - James Austin, Production - Donna Godchaux, Vocals - Matthew Kelly, Harmonica - John Hagen, Assistant Mix Engineer - Dan Healy, CoProducer - Keith Godchaux, Keyboards, Vocals - Jordan Amarantha, Percussion - Bob Matthews, Engineer - Tom Flye, MixingEngineer - John Kahn, Horns Arranger, AssociateProducer - George Horn, MasteringEngineer - David Lemieux, Producer - Brett Cohen, Engineer - Scott Pascucci, AssociateProducer - Robert Gatley, Assistant Mix Engineer - Cameron Sears, Production - Hale Milfgrim, AssociateProducer - Robin Hurley, AssociateProducer - Billy Candelario, Assistant Mix Engineer - Jeffrey Boden, Assistant Mix Engineer - Steve Parish, Assistant Mix Engineer Under exclusive license to Rhino Entertainment Company, a Warner Music Group Company. Last Updated 10/23/20, this page shows about 300 45s.Paul Kantner, Writer - David Crosby, Producer, Guitar, Tambourine, Vocals, Writer - Bernie Grundman, MasteringEngineer - Neil Young, Producer, Banjo, Guitar, Keyboards, Vocals, Harmonica - Stephen Stills, Producer, Guitar, Bass Guitar, Keyboards, Vocals, Writer - Russ Kunkel, Drums - Elliot Mazer, RecordingEngineer - Graham nash, Producer, Guitar, Keyboards, Vocals, Harmonica, MixingEngineer - Crosby, Stills, Nash & Young, MainArtist - TIM MULLIGAN, Front Of House Engineer - Joel Bernstein, Producer, MixingEngineer - Joe Lala, Percussion - Tim Drummond, Bass Guitar - Stanley Johnston, Digital Transfer, MasteringEngineer, MixingEngineer - Stephen Barncard, RecordingEngineer - Mark Morris, Sound Technician - Jay Jones, Sound Technician - Craig Reynolds, Sound Technician - Fred Meyers, Sound Technician - Steve Gagné, Audio Engineer - Steve Neal, Sound Technician - Barry Imhoff, Production - Ben Lesko, Guitar Technician by Steve Hoffman and this SACD version mastered by Kevin Gray and Zan Zanev. ![]() The records are presented in rough chronological order. yet brilliant peek into the genius of a crooner beginning to blossom. If you know of a record that should be here, send me a note through the Classic 45s Contacts page. ![]() ![]() Note: This is a partial list that is still being fleshed out still working on descriptions, some of which come courtesy of the Steve Hoffman Music Forums. (Most of the 45s shown here were hits in their day.) Only by collecting the original 45s can you be sure you've got the version of a song that was played on the radio at the time - in other words, the version that became a hit (or not as the case may be). These unique mixes and takes most often never again saw the light of day, as compilation albums done later opted for the LP version rather than seeking out the original single mix/take. In other cases, the 45 was recorded and released first, and then the artist or producer/arranger did some tinkering or re-recording after the fact for the LP version. Throughout the history of Rock'n'Soul, producers and artists have tinkered with the mix of songs pressed to 45 rpm records, and in some cases decided to go back in the studio to completely re-record a song. Other Lists: Retail Edits | Promo Edits | 45-Only Tracks | Censored 45s | Short: ≤2:10 | ≤2:30 | Lost Tunes | B Sides Shruti Rajagopalan Talks Talent with Daniel Gross and Tyler. ![]() Guest visits to the site are logged per standard web server access logs, and are not personally identifiable beyond the visitors IP address. Required information includes a valid email address and a username. This information is used solely to enable a member account. From creating a thousand games to talking. The Steve Hoffman Music Forums collects minimal information from members. Back to "The Joy of 45 Collecting: Why 45s?" Reid Hoffman on the Possibilities of AI (Ep.
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